

- ASTRO TIMELAPSE IN PHOTOSHOP HOW TO
- ASTRO TIMELAPSE IN PHOTOSHOP SOFTWARE
- ASTRO TIMELAPSE IN PHOTOSHOP SERIES
ASTRO TIMELAPSE IN PHOTOSHOP SERIES
If there is anything you would like to see added to the list or any advice on how you would like the series to be approached, please share in the comment section below! I’ve found that it is actually harder to be complacent!Īlthough only a quick look, the above post breaks down what I will be covering in the tutorials. It doesn’t take much to push yourself as a filmmaker. If you continually grow and work hard, good things will happen. Do the best possible job you can do on EVERY job. Continue to work hard and be passionate about the work you do - no matter what you are working on. Do work that relates to personal experiences. There are a few things you can do to stand out. With this new market that is emerging, many people now have access and it is becoming even more important to find your niche. You may even inspire someone or speak to them on a deeper level that could inevitably cause a life altering event. By posting your content online, you may be posting content that a viewer can relate to. Now the main reason I am asking anyone that learns from the tutorials to either post their work or post something they learn along the way is because of the impact this work could have upon someone else. It is becoming even more important to find ways to stand out from the crowd. The gap between low quality and high quality video is quickly closing and this quality content is becoming available at a fraction of the price. With this shift, it is key to create an online presence - and get your work seen. Crowd funding is also becoming a viable option for funding. Discounts that used to exist for online content, such as discounted actor rates, are quickly disappearing as many are seeing the added value in online content. Grants for web series are becoming available. The demand for online content is increasing. Distribution: An Expanding Market Opportunity
ASTRO TIMELAPSE IN PHOTOSHOP HOW TO
NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic.ħ. LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. Some of the programs/codecs I will be covering include:

I will also be focusing on a few composting techniques. Camera Settings/Modes: Understanding the Basic Functions of a DSLRįor this section, I will be covering a few different methods for processing the time-lapses as well as cover some of the ways in which to remove flicker from your time-lapses. For a list of the current tutorials to be covered in the series, please see below: This section will be the most extensive and will encompass a wide array of possible time-lapse setups. There are a few specific areas that I will be investigating as part of the pre-production phase. By being prepared from the beginning and by having a well laid out plan, production & post-production will ALWAYS go way smoother. Pre-production is by far the most important part of the process for not only time-lapse photography but filmmaking as a whole. PRE-PRODUCTION - (Story, Scouting & Scheduling) In this section, I will look closer at my ‘go to’ equipment and also break down a few different kit configurations depending on shot requirements as well as shooting conditions.Ĥ. In this video, I will give a quick preview of what equipment I use when shooting time-lapses.
ASTRO TIMELAPSE IN PHOTOSHOP SOFTWARE
This video will introduce the series as well as showcase the types of shots that will be present in the time-lapse series.Ģ: Kit Breakdown / Software & Hardware Solutions – Introduction Below you can find the current content breakdown: This series is a work in progress and will continue to evolve as I learn more. Comments and recommendations for future videos are encouraged. These shorts will simply give you a look at how I approach shooting time-lapses. There is no perfect formula to get incredible shots other than practice, practice & more practice. In the series, I hope to give a thorough breakdown of how to shoot RAW time-lapses.


The target audience of this series will be the independent filmmaker who is open to learn. I am simply sharing MY WORKFLOW when both capturing and processing RAW time-lapses similar to the ones seen in the INTRODUCTORY video below***. ***NOTE: All opinions & perspectives shared come from my experience as a shooter and may not be the best way of doing things.
